Justforwritingpractice

Thekeywordofthismovieistransformation,bothphysicalandmental,physicallyforthelovers,whilementallyforPhillipsandthepreist,whobothdonewrongthingsbefore,andgotredemptionintheend.Theonlyonemaincharacterwhodidntchangeisthebishop,whosoldhissoultoevilpoweranddrivescrazliybyhisowndesire.Also,themoviecombinesfantasywithphilosophyperfectly.Thecursemakestheloversliveaone-halflifeandfatetobequot;Alwaystogether,alwaysapartquot;andletthecursebrokenontheeclipsemomentimpliephilosophyoflife,time,opposite,dayandnight,exchage,ect.OnefunnythingisthatmostofthephilosophicalwordsarespokenbyPhillip,whowasonceathief,whichsoundsironicandbitter,butshowingthatsomewiseandbravemindmayhidebelowthedisgracefulsurface,whichtheashamedhistorymaybecausedbyunforcedpower,likepovertyandmiserablechildhood,andalsowhichmaymakenoeffectstoletthemanbetheotherstruestfriends.Then,greatcomplimenttoroles-selectivejob.TheyoungMichellePfeifferisstunninglybeautiful,andsheplaysinasoftbleway.RutgerHauerplaysapersistentandtoughknight,whowouldliketosacrificeanythingforlove,andthinkingofhim,alsoremindmeofhisunbelivablespontenousperformanceinBladeRunner(1995,RidleyScott),whichmakesthelines(Allofmomentswillbelostintime,likestarsinrain,timetodie.)becomeoneofthemostclassiconesinfilmhistory.Also,MatthewBroderickinterpretsthevulgarbumpkinquitesuccessfullyinavividway,cuteandpremature.JohnWoodcreatesaevil,coldbloodbishop,whopaidhislifeaspriceofthecruelcurse.Theonlythingthathardtoembraceistheancientversionon-roadmidistyleofmusic,whichmakesthesoundtrackbarelybelongtoaconsistentgenre.