[FilmReview]Bacurau(2019)7.3/10

来源:噗噗影视 责任编辑: 更新时间:2022-11-17 03:40:19人气:0
女族长2022

视频女族长2022状态:HD年代:2022

主演芭芭拉·科伦托马斯·阿基诺西弗罗·佩雷拉塔尔德尔·利马更新时间:2022-10-22 13:12:09

在不远的未来,Bacurau村的女族长卡梅蒂塔逝世,享年94岁,全村都沉浸在悲痛之中。几天后村民们发现村庄从地图上消失了。

BrazilianfilmmakerKleberMendonçaFilho’sthirdfeature,sharingbothdirectorandwriter’screditswithhisproductiondesignerJulianoDornelles,BACURAU,whichmeans“nightjar”inEnglish,isthenameofaremotevillageinBrazil’sbackcountry,whereournominalprotagonistTeresa(Colen)returnstoattendher94-year-oldgrandmother’sfuneral,whoisthematriarchoftheplace,yetthevillagersstarttorealizesomethinguncannyisunderfoot:thebulletholesonthetruckwhichtransportswaterfortheirdailyuse,asaucer-shapeddronematerializesoutofnowhere,theadventoftwoshadycross-countrymotorcyclists(TelesandSaboia),andmostbizarrely,thevillagecompletelyvanishesfromallthedigitalmaps.Aftertwovillagersareshotpoint-blankwhentheydiscoverthefamilyofanearbyfarmhasbeenruthlesslyslaughtered,thebizarrelayofthelandbeginstoclarifyitself:ateamofAmericanmercenarygunslingers,ledbyMichael(Kier),isgoingtoannihilatetheentirevillageforpecuniarygain(onecanfairlyguesstimatewhoistheirfunder),andthewholevillagerisestotheoccasioncollectivelyandvaliantly,aclimatic,Tarantino-esquepitchedbattlewillsettlethescoreonceandforall,Manichaeanandstirringlikeavintageoater/slasher,andheadswilldefinitelyroll.AwardedwithCannes’JuryPrize,BACURAUassertivelyestablishesMendonçaFilho’smoveintothemagicrealismwithvimandvigor(anidiomrootedprofoundlyinSouthAmerica’scinemasoil):aclamorousfuneralritualwherenotearsisshed,inlieutherearepensivelooks,exclamationandspiritualcelebration;absurdencounterbetweenvillagersandtwooutsiderswithtensionsizzlingunderneaththecasualpleasantries;andthevirilebraggadocioembodiedbyLunga(Pereira,aqueeractorwhoisfamousforhiscross-dressingflamboyance),thetribalwarriorvowingforretaliationtotheAmericanintruders.Whiletheinterrelationshipamongthosemercenariesbordersonclichésofvulgarity,ethnocentricswaggeranddisturbingracism(oneofthemconfessesthathebalksattheideaofinitiatingakillingspreestateside,andisverygratefultotheopportunityofunleashinghistrigger-happymonomaniaontoanothercontinent/race),onecanclearlyreadMendonçaFilhoandDornelles’grievancetowardsBrazil’scurrentdespondentpoliticalclimate(thevirulentinfluenceofUSA)andthecountry’sowntroubledpost-colonialidentity,whererepressedangerandpoeticjusticemakethefurflyinitsgorybutcatharticshowdown,precipitatedbyanudecouple’scomposedself-defense,elatedbythethrobbingelectronicbackbeatfromitscomposers,butalsomuddledbyMichael’sownequivocal,self-defeatingcaprice(andablink-you-will-miss-itapparition).Amongthevastandcapablecast,MendonçaFilhoandDornellesvenerablyputtwocinemaiconsintheforeground,veteranUdoKierpointedlyunderlinesanarrestingmadnessinhismad-keenglarewhereasacantankerousSôniaBragarunsawaywiththeundiminishedstrengthandsteelyresolutionresidinginsideanoldguard.BACURAUmightnotpossesstheslow-burningdramaturgyandreflectivesensibilitywhichgraceMendonçaFilho’sAQUARIUS(2016),butasagenre-bendinganomaly,itisanenterprisingdoozyhighlightsanemboldenedMendonçaFilho’sgutsyexplorationoutofhisowncomfortzone.referentialentries:KleberMendonçaFilho’sAQUARIUS(2016,8.3/10);GastónDupratandMarianoCohn’sTHEDISTINGUISHEDCITIZEN(2016,7.9/10);JoaquimPedrodeAndrade’sMACUNAIMA(1969,6.6/10).本文版权归作者他他所有,任何形式转载请联系作者。

相关内容

(键盘快捷键←)   上一篇    下一篇  (键盘快捷键→)
手机扫一扫轻松打开
噗噗影视