39;ALoveSupreme39;

InSpikeLee’sfilmpiece“Mo’BetterBlues”aboutaJazzmusician’spersonallifestoryaswellasaccordingstrugglesonfindingbalancesbetweenhisownlovelifeandhismusicalambition/career,variousviolentfilmingscenesarebeinginvolvedtowardsthenear-endofthespecificmovie,andatthesomewhatcomfortingendingofthepiece,IndigoagreestotakeBleekbackintoherlife,whichisapparentlyperceivedbymanyasbothaheart-warmingyetcontroversialdecisionmadebythecharacterherself.However,itneedstobeunderstoodthattheactualmotivebehindIndigo’sseeminglyquick/bluntchoicewouldbesomethingwaymorethansimplyoutofsympathy/empathyorpityforBleek,butratherinstead,shouldbeperceived/consideredtobeaboutanindividual’sownwillingnessandopen-mindednessofoffering/grantingsecondchancestoanotherhumanbeing(especiallytheirlovedones)inthisoftentimesoverlycomplicatedworld,andultimately,tyingbacktothemaintopic,about“ALoveSupreme”.Insteadofdiscussing/talkingabout/dwellingwiththespecifictopicofwhetherIndigoshouldtakeBleekbackintoherveryownlifeorallowhiminthereonceagain,let’sgoontoswitchgearsandreversetheactualquestionaltogether,andinsteadtrytofocusonthedifferentaspects/obstaclesbeingshownandpresentedtherewhichwouldactuallypreventIndigofrommakinguphermindtofinallychoosetocomedownwiththeparticulardecisionofforgivingBleek’spastandpreviousmistakesandthusultimatelyre-acceptingaswellasre-connectingwithhim.Inthefilm,thereisaparticularscenewhichshowsBleekadmittinghimselfasbeingoverlyselfish/self-centeredasapersonallalonginlife,nomatterifitiswithhimdealingwithhisownlovelife/romanticrelationships,or,withhimputtinghisownabsoluteveryhardesteffortsintopromotinghismusicaloccupationasawholethere.BeingfullyawareofthisspecificpersonalitysidecomingfromBleekhimself,Indigohasthetotalrightwithhertochoosetocompletelycutoff/bringanendtothisspecifictoxicrelationshiprightonthespot,especiallyalsowithherrecentlyjustfindingout/discoveringthefactthatBleekhasbeenconstantlyvisiting/datinganotherwoman(beingClarke)onandoffandhasbeenwearingdifferent“masks”inordertoliveasatisfyingdoublelife.Asthespecificactionof“cheating”itselfisindeedusuallybeingconsideredabigdealintermsofromanticrelationshipsandwouldoftentimesseverelysabotage/damagethegeneralqualityoftherelationshipitself,alongsidewithactualresultsinheavydiminishmentsoftheoverallself-esteemandpersonalsenseofdignitylevel(mentalwise)onthecounterpart,itwouldbequiteeasytorelatetoaswellasunderstandallthoseangerwhichIndigomayhavewellfelt,sinceBleekhasalreadyclearly/obviouslycrossedthelineandbrokethegoldenfairnessruleaswellasthevaluablepresenceofmutualtrust.Soifallthatisso,whywouldIndigostillwanttoallowsuchagrown-upmanwhoapparentlyhurthersomuchasforpreviouslybeforeinthepastbackagainintoherveryownlife?Andnotonlydidsheactuallyforgiveandre-acceptedhim,theyevenwentontofurthermarryeachother,formed/foundedawholefamilytogetherwitheachotherthatway,andshetheneventuallygavebirthtohischild,ortheirkid.ItwouldbetotallyimpossibletorealizeandunderstandtheactualmentaldynamicsbehindIndigo’sultimatedecisionoflettingBleekback,withoutdelvingintotheinterconnectedrelationshipbetweentheapparentsituationofBleek’sJazzmusiciancareerandhisowngoals/ambitionswhichhewouldsetforhimself,andhowtheseaspectswouldwithoutaquestionordoubthugely/stronglyaffectnotonlyBleekpersonally,butalsoalmosteveryoneelsearoundhiminonewayoranotherthatway,especiallyIndigo,whoappearstobeinsideBleek’sclosestrelationshipcircle,andisprobablyalsoamong/onthelistofoneofthemostimportantpeoplewhohasevercameacrosshispathoreverexistedinhislifethatway,oraswhatBleekwouldclaimtobe.IndigoclearlyrealizesandrecognizesBleek’sapparentstruggleswithelevatinghisownmusicalachievementstosomethinggreaterandmoremarvelousascomparedwithpreviouslybefore,assheisnotonlyclearlyawareofexactlyhowextrasuperimportantJazzmusicasanartformistoBleek,whichcanbeseeninthespecificscenewhereBleekproudlysaysoutloudsomethinglike“Jazzismytoppriorityinlife,everythingelsewouldbeconsideredsecondary”,butalsodoessherecognizeandunderstandthat,asJazzbeingsuchanimportantupliftingsupportaswellasplayingsuchahugelyimportantroleinBleek’slife,andnotonlyasasimplefinancialtoolinordertopayoffmoney,butmoreimportantly,beingusedasanconsiderable/thoughtful/artfulwayofbothmentalaswellasspiritualhealing/curing/medicinalescape/expression/reliefprocess.Itwouldthusbecomeratherobviousandcleartobeabletoseefromthere,thatmusic,ormorespecifically,Bleek’sgeneralJazzmusicperformancesbeingpresentedasacertainwayofliving/lifestyle,certainlycannotbeeasilyreplacedbyanyrandomstuffoutthere,notevenbysomethingcalledlove,becauseitwouldsimplyjustbeconsideredandperceivedtobeirreplaceablelikethatbyalltermsormeans,atleastinBleek’sownpersonalperspective/mindsetthere,sotospeak.Sowhatifthatsortofalmostlife-savior/drug-doselikemental/spiritualdopamine/heroin/marijuanawouldbecompletelycutoffitsactualsupplyaccessesbeingavailabletohimpreviouslyallthetimethere,allofasuddenthatwayoutofnowherebysomeuncontrollableoutsideforces,likewhatisbasicallybeengoingonaswellasbeingpresentedandshowninthelatterhalfofthefilmitself?Astheaudiencescouldtell,duetothehappeningoftheunexpectedviolentdisputebetweenBleek’schildhoodfriend(whoapparentlyisalsohisownmanager),Giant,andtheMafiathugs,andduetoBleekhimselfvoluntarilyemerging/steppingintothesituationinordertosaveandhelphislong-timecompanion/friendthere,theactualresultisthatBleek’sownlipshasbeenbeatenbythosemafiathugstobebustedopen,whichplasticsurgerycannotevenfixup,andthatultimatelycausedBleektogiveup/forfeithisJazzdreamwhichhehasalmostalwaysbeensodesperatelytryingtomaketrue/makerealityof.Itisindeedatragicpartofthewholeentireplot,noquestionaboutthat,butwhatwouldbeconsideredandperceivedtobemostimportantafterall,wouldbewhatactuallyfollowsupandcomesafter.AsBleekhappenstolosehisultimatespiritual/financial/mentalsupportinlifethatway,aswellaswhenhishopes,wishes,andexpectationsforfuturemusicalelevationswhichheinsiststocarryalongwithhimaltogetherfadesoutofsightinablinkofaneye’smomentduetothehappeningandtakingplaceofthatspecificincident,itisthenbeingrevealedtousthatIndigohasnotfullyabandonedhimyet,andisstillsomewhatcaringforhimandhisgenerallifesituation.Thatisbecause,beingamaturegrownupwomanaswellasacitygirllivingintheBigAppleherself,Indigoisindeedawareofthefactthatthereallife/realworldisaplacethatisoftentimesbeingfilledwithunspeakablehardshipsandunimaginarycruelties,andwhenout-of-controlaccidentslikethathappen(oronecouldalsoarguethatinanothersense,thingslikethatcouldalsobeperceivedandseenasbeingalreadyprearrangedandpredetermined,mysteriouslysomehow,andissomethingwhichcouldsurelybeidentifiedasbeingpurelyfateordestinyallonitsowninthatcontext),theultimateoneandonlymostpowerfulsolutionaswellasmosteffectivecureforthat,afterall,wouldindeedmostlylikelycomedowntothatparticularsimplefour-letterword/term,theeverlastinglyeternalthemeofthewholeentirehumanexistencewhichisbeingconstantlybroughtupandglorifiedthroughoutthespanofhistoryandsincethecreationoftimeitself-“love’,andinthisspecificcase,“truelove”or“ALoveSupreme”.本文版权归作者trovancy所有，任何形式转载请联系作者。